Blue
Girl is wanting traffic. She's wanting linky love and is demanding that we all
post about our purest comedic experience so that we can send it on over to
newcritics. It seems they’re having a
comedy blog-a-thon this Nov. 6-11th.
Well, I'm game, she said, so they shot her! Ba-dum-bump!
Anyone
who is familiar with newcritics knows that the are indeed critics. They
critique everything, but the kitchen sink… or maybe they’ve done that as well
and I've just missed it. I get the feeling that their request for the purest
comedic experience may mean a show someone has seen or an album that was listened
to. Mine does not fit into that category, but I’m going ahead anyhow. Sometimes
an experience is what it is and need not be categorized or dissected. I will try to relate my
most blissfully pure comedic experience with that in mind. Over-analysis has
been known to kill the magic.
As
most of you who read this blog know, I went through Chicago’s Second City Conservatory Program.
It was a 2 year deal that ended with performing a weekly show on the e.t.c
stage. I wasn’t sure if I wanted to perform for a living, but I had always
wanted to do the program and I have never, for a moment, regretted it.
One of the main rules of improv is to say, “Yes, and…” to whatever might be
given to you. You do not want to control the direction of improv, other than
moving it forward. Saying no stops the progression, stops development.You don’t so much as want to drive as you want to ride the
wave. If you fight the wave and say no to the direction it is going, you fall off. By saying yes, you
acknowledge what has been given to you. By adding *and*, you give something back for someone else to build on. And so it goes.
It is incredibly hard at times to surrender to no control while attempting to
move this comedy beast forward. Improv is a bizarre combo of thinking
incredibly fast and yet not letting your thinking brain take over. I have had many
moments of bliss while learning and attempting this art, but one by far, stands
out as nirvana.
It
happened during a regular upper-level class… we were doing two people scenes,
given only a location and a clue as to why were there. I was doing my scene with Stephen. (Working
with Stephen was like working with a genius puppy.) Our set-up was a blind date
and we were on a bus. It was also suggested that I did not want to be on this
date. I had to find a way to say yes while initially rejecting the situation.
What
happened next was the most mysterious and wonderful 5 minutes of my comedic
history. The big improv hand came down, we said yes, and oh baby, did we ride.
There was actually very little dialog that passed between us, our scene mostly
consisting of noises, gestures, and expressions. I remember very little of
the actual scene, I just remember feeling as if something else were at the
controls. It progressed without thought, it moved without our directing it and
even better, it was FUNNY!! We could hear our classmates howling. We could see
our veteran instructor heaving.
The class then moved into the silent phase of laughter where you are laughing
so hard, you’re not making much sound... and then the tears started. By the time
the scene ended, there was not one person who was not beet red and crying with
glee, including Stephen and myself.
Our
scene was the last for the evening and we all walked out feeling incredibly
spent, yet elated. It would be naive to think we had anything to do with how
that scene went. We just showed up and tuned into the right station. I have
laughed oh so many times since and hope to laugh many times more, but I know I
will most likely never laugh or feel like that again. It was a moment of
comedic grace that transcended words and it was wonderful.
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