Addition below:
This morning, Dan Leo left a very poignant comment for my "lost at blogging sea" post. Instead of paraphrasing, I'll just include the entire comment:
Hey, Jen, you know I love to write, but believe it or not I'm also a big fan of not writing when I have nothing to say. Here are some lines from a poem called "so you want to be a writer" by Charles Bukowski:
if it doesn't come bursting out of you
in spite of everything
don't do it.
unless it comes unasked out of your
heart and your mind and your mouth
and your gut,
don't do it.
if you have to sit for hours
staring at your computer screen
or hunched over your
typewriter
searching for words.
don't do it...
if you have to sit there and
rewrite it again and again,
don't do it.
if it's hard work just thinking about doing it,
don't do it.
if you're trying to write like somebody
else,
forget about it.
if you have to wait for it to roar out of
you,
then wait patiently.
if it never does roar out of you,
do something else...
unless the sun inside you is
burning your gut,
don't do it...
Those were good words. They definitely ring true as far as other creative endeavours I've pursued. It made me wonder about something though. Last week in my painting class, a woman who is rather new to artistic endeavors told me that she was intrigued with the open spaces in the still life. She liked the spaces between the objects. Those words were music to my ears. Those words meant that even though she may not yet have the skills to translate what she sees, she sees it! She's thinking like an artist. I told her this and said that negative space can be some of the most exciting space in a painting. The space between objects can has its own weight, its own atmosphere, its own tension and excitement. Even if you're painting an object, what's not there and how it's placed can have as much impact on the painting as what is. I was wondering what the negative space in writing would be. I write in this blog, but do not in the least consider myself a writer so when Dan Leo stopped by this morning, I thought, aha! Dan! Dan is a writer...
So Dan... what would you consider the negative space in writing? Would it be the pauses in between sentences? The economy of words? Would we even see the negative space in the finished copy or would the negative space have occurred when the writer was taking a break? Would the reader only know the negative space was there somewhat like a contrail informs a person that a plane had gone by? Where is the negative space in the written word and is it as important for the written word as it is for a painting or drawing?
For those of you not familiar with Dan, you should be. I don't read all that Dan is writing right now, but I have been a faithful follower of his Arnold Schnabel series, "Railroad Train to Heaven". The memoirs of Arnold, a brakeman from Olney, PA who's on mental disability, is also a poet, who spent part of the summer of '63 partying with The Rat Pack, Jesus, and just recently time-traveled via a painting to visit with Proust and Toulouse-Lautrec, are not to be missed.
Any of you other writers out there, feel free to chime in. I'd ask BP, but he's merely the grammar police...
Addition to the other writers who might so graciously chime in... Dear. Lord. How could I forget to add THIS ONE and THIS ONE and then there's THIS ONE!?!??
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